Saturday Workshop: Dancing in the Dark…

patrick-swayze-dirty-dancing-1987-photo-fc

There’s this scene you’ve been working on: Jack walks into a room. Diane’s already there. She’s drinking a mimosa and reading a travel guide for a place you haven’t decided on yet–maybe Barbados, maybe Detroit. Jack crosses the room. He tries to sit with her, but you forgot to include a chair, so he’s now hovering in an improvised yoga pose. Diane’s not even at a table, so when she releases the mimosa, it falls to the floor and shatters. This confuses the library staff because you’re not allowed to have mimosas in the library. Jack doesn’t even like to read, so he’s surprised to find himself in a library. He says, “When did I get to a library?” This echoes in the endless expanse of the void. When a librarian tells Diane about the no-mimosa rule, Diane says, “No dessert for me, thanks,” and then asks for the check. You suddenly remember that they’re at a tiki bar, but now the librarian feels overdressed. When the librarian tries to return to the Library Call Center, he trips over a bear rug on the floor and falls into a big pit—you know, like the one from the movie 300. Jack tries to reach out and help him, but the librarian seems miles away now. Diane leaves a tip on the floor and escapes, somehow, but you don’t remember there being any doors in the room. Maybe she climbs out a window or a skylight. Jack cries, lives the rest of his life alone, gets eaten by a lion floating in the void.

Sound familiar? No? Read more. It’s good for you, puts hair on your chest. Regardless, the point (there is one) is that place is often an underdeveloped and untapped resource in scene development. Where a conversation takes place can have just as much an impact on a scene as what your characters say. How your characters move, position themselves within that space, negotiate obstacles (bear rugs, bottomless pits, lions, etc.) can also flesh out the scene and present a more dynamic and engaging narrative. The Dancing in the Dark workshop will explore and discuss these concepts, Patrick Swayze, whether or not you can (in fact) put Baby in a corner, and The Boss.

  • What & Who: “Dancing in the Dark: Using Place & Choreography in Scene Development” will be conducted by Jeff Baker, English Faculty at GCC.
  • When: Saturday, September 10th from 9:30 to 11:30AM.
  • Where: GCC Main Campus, LA-141.
  • Why: Why not, tough guy?

This will be the first Saturday Workshop of the academic year, so we hope to see bright, happy, creative faces before Finals and The Nothing consume Fantasia, making everybody sad.

Mark Your Calendars: Fall GCC Events!

During Fall 2016, we will continue to support Free Association readings at GCC and hold free community workshops one Saturday per month. We hope to see big, happy, creative crowds at all of these events. Listed below you’ll find the current dates for our readings and workshops. We will have more details about each of these events as the calendar lurches closer to them. We will also look to add other events, both college- and community-run, when we are able. For now, mark your calendars and save the dates!

GCC Open Mic Events (GCC Main, SU104E)

  • Wednesday, September 21st from 7:00 to 9:30PM
  • Wednesday, October 19th from 7:00 to 9:30PM
  • Wednesday, November 16th from 7:00 to 9:30PM

GCC Saturday Workshops (GCC Main, LA141)

  • Saturday, September 10th from 9:30 to 11:30AM
  • Saturday, October 15th from 9:30 to 11:30AM
  • Saturday, November 5th from 9:30 to 11:30AM

Welcome Back! Now Go Register!

Welcome back to yet another year of creative writing at Glendale Community College. Over the Fall and Spring semesters, we will continue our Saturday Workshop Series, our Open Mic readings, and our support of Midnight Metaphors and The Traveler. We’ll have more information on these activities soon, as well as some other ideas and collaborations we’ll be putting into practice for the 2016/2017 year!

Also, there are still seats available for some of our CRW offerings in the Fall, so register now. The proverbial and literal clock is ticking. For a full list of available CRW classes, head here, to GCC’s Find a Class.

  • CRW150 (Intro to Creative Writing) – MW Hybrid – 12:00-12:50PM – GCC Main – Kimberly Mathes
  • CRW150 (Intro to Creative Writing) – TTH – 10:00-11:15AM – GCC North – Mark Broeske
  • CRW160 (Intro to Poetry) – TTH – 11:30-12:45PM – GCC Main – John Ventola
  • CRW170 (Intro to Fiction) – TTH – 1:00-2:15PM – GCC Main – Jeff Baker
  • CRW260 (Intermediate Poetry) – TTH – 11:30AM-12:45PM – GCC Main – John Ventola
  • CRW270 (Intermediate Fiction) – TTH – 1:00-2:15PM – GCC Main – Jeff Baker
  • CRW272 (Structuring the Novel) – Online – All GCC – Jeff Baker
  • CRW273 (Writing the Novel) – Online – All GCC – Jeff Baker
  • CRW274 (Revising the Novel) – Online – All GCC – Jeff Baker
  • ENG217 (Personal & Exploratory Writing) – MW – 1:00-2:15PM – GCC Main – Kimberly Mathes

If you have questions about any of these classes, see a class you want but it is full, or if you are not sure if the class is for you, do not hesitate to contact the instructors! We hope to see you in our classes, at our workshops, and at all of our open mics and readings.